Buckminster Fuller Bibliography


Buckminster Fuller Bibliography by Trevor Blake.

One thousand five hundred entries by and about Buckminster Fuller. Books, magazines, newspapers and ephemera published between 1914 and 2015.

Richard Buckminster “Bucky” Fuller (1895 – 1983) was a public speaker, author, mathematician and inventor. Fuller is best known as the popularizer of geodesic domes in architecture. He attempted to apply the most recent discoveries of science to the most basic of human needs such as shelter and transportation, without regard for precedent or profit or power, doing more with less. He called this process design science.

260 pages
Introduction, Bibliography, Index

ISBN 978-1944651022


Buckminster Fuller’s Automatic Cotton Mill

R. Buckminster Fuller Automatic Cotton Mill

When Fuller was seventeen years old, in 1912, he spent the majority of his annual budget for attending Harvard University in a week entertaining actress Marilyn Miller and her friends. In the course of his revelry he skipped his first mid-year exam. Being unable to pay his tuition and having brought shame to his school and family, Fuller was expelled. His family sent him to work in a Canadian factory to get a taste of manual labor.

In February 1914 a cousin (or a distant relative) of Fuller secured an apprentice mechanic job for him at the then-new Connecticut Canada Textile Company on Rue du Pacifique between Rue Kitchener and Rue Galt O in Sherbrooke, Quebec. The cotton mills operated on a line shaft, where a single motor powered belts which turned machinery throughout the building. Line shaft factories give priority to the belt, not ventilation or sunlight. Dust and noise from the belt were constant. Fuller’s job was to install new equipment and to keep the belt on line. Fuller wrote:

Here I learned to assemble and erect cotton mill machinery. I finally mastered on my own the assemblage and installation of each and every type of cotton manufacturing machine. The installation included running of the pulley-shafting throughout the buildings and its over-all alignment from the power house take-off through to each belted-in and aligned production machine. – letter to John McHale, 7 January 1955.

Fuller claimed his time at the Connecticut Canada Textile Company was his first exposure to industry, metallurgy, drafting and keeping a notebook. While Fuller had invented before, now he saw invention as a marketable skill. Not everything that is invented or marketed comes to fruition. Fuller claimed he designed improved mill machine parts but never claimed that these parts were manufactured, tested or used. Three years later, as a member of the U.S. Navy Reserve Force, he claimed to have invented a crane and hook system to upend overturned airplanes in the water. Fuller claimed this device was built and saved many lives, but no record of this crane exists in his papers or in Navy records.

Between his job at the Connecticut Canada Textile Company and the U.S. Navy Reserve Force, Fuller was re-admitted to Harvard and expelled a second time. The reasons for his second expulsion have never been specified beyond his “lack of sustained interest in the processes within the University.”

Fuller placed himself and his ideas at the center of wherever he was. When Fuller worked for Phelps Dodge Corporation in 1938, he used copper as the standard for measuring human progress in an appendix to his book Nine Chains to the Moon. In 1951 Fuller was the Visiting Seminar Director at North Carolina State University, and the standard for measuring human progress was cotton. In “The Textile Mill of Tomorrow” (American Fabrics magazine Spring 1953), Fuller wrote: “Manufacture of cotton goods is one of the oldest of industrial enterprises. Its mechanical evolution initiated much of the general scheme of specialized and integrated functioning in industry.”

The Textile Mill of the Tomorrow benefits from “a comprehensive resurvey of cotton manufacturing evolution from our great hindsight advantage,” revealing assumptions about cotton mills no longer relevant to an industrial society. For example, in the past a cotton mill had to be near a river to take advantage of water wheel power “requiring translations of power by belting pulleys and meticulous parallelling of shafting in the most geometrically economical patterns.” Pulley shafting is “piecemeal and intermittent,” limiting, requiring precise alignment. The line shaft work that was a point of personal pride for Fuller was an anachronism when carried out by others. Line shaft power transmission was not the only anachronism in the textile mill of the past. Walls and floors were artifacts that made sense in ancient history but which needed to be resurveyed. “Logical for the preservation of the expensive [mill] machinery was its housing: one hundred percent compressively-conceived stone masonry for vertical components, and heavily sectioned wooden platforms for horizontal components.” Walls and floors might provide sunlight to one story but not the rest, and “there was a consequent lack of energy efficiency in providing desirable air conditioning.” The resurveyed textile mill was a negation of Fuller’s experience in the Connecticut Canada Textile Company. In place of a line drive, electric motors. In place of dark walls and floors, a lattice dome and floor that allowed sunlight in every location. In place of stifling air, an open breeze. And in place of noise, a lack of humans to hear noise.

The 90% Automatic Cotton Mill of American Fabrics includes several of Fuller’s interests to date. The building is suspended from a six-sided central mast, as was his 4-D House of 1928. Waste is packaged in the building as waste is packaged in his 1937 Dymaxion Bathroom. Fuller compared man to machinery in his 1938 book Nine Chains to the Moon. He wrote a man is:

A self-balancing, 28-jointed adapter-base biped; an electro-mechanical reduction-plant, integral with segregated stowages of special energy extracts in storage batteries, for subsequent actuation of thousands of hydraulic and pneumatic pumps, with motors attached; 62,000 miles of capillaries; millions of warning signal, railroad and conveyor systems; crushers and cranes (of which the arms are magnificent 23-jointed affairs with self-surfacing and lubricating systems, and a universally distributed telephone system needing no service for 70 years if well managed); the whole, extraordinarily complex mechanism guided with exquisite precision from a turret in which are located telescopic and microscopic self-registering and recording range finders, a spectroscope, et cetera, the turret control being closely allied with an air conditioning intake-and-exhaust, and a main fuel intake.

The “totally new start in cotton mill conception” would be a machine as a man, “similar to the digestive, shunting, secretive, and regenerative process of the human anatomy.” The new mill would not contain men, it would be a man as in der Mensch als Industriepalast. Air circulates in the building in a torus fashion as it did in his Dymaxion Deployment Units of 1940. The outer shell of the building is a geodesic dome (type 2, 16 frequency), a form Fuller had begun to explore at Black Mountain College in 1948. The function of the “robot weather control tower” at the summit of the mill in some drawings is not explained, but it is a tensegrity tower as Fuller had seen in the work of Kenneth Snelson at Black Mountain College in June 1948. In other drawings it resembles the Skylon tower from the 1951 Festival of Britain. Photographs of the four-foot model show several objects at the top: a ring, a spiral, a tensegrity.

Raw material was to be brought into the mill on the ground floor. There it would be loaded into an icosahedral elevator and moved upwards for processing. Each floor would have a specialized function. The uppermost of eight floors (including the ground floor) was for picking, the seventh floor for carding, the sixth for framing, the fifth for spinning, the fourth for slashing and spooling, the third and second for looms, and the ground floor was for storage, office, and shipping of the finished fabrics. Each floor was made up of octet truss frames, strong enough to hold machinery but porous enough to pass the cotton between floors at any location.

The character of the 90% Automatic Cotton Mill was defined by Fuller. The physical model of the mill was constructed by students at North Carolina State University. A photograph by Ralph Mills in American Fabrics shows twelve of the twenty students who worked on this model. They are (clockwise, starting with Fuller): R. Buckminster Fuller, Jeff Brooks III, Ligon Flynn, Al Cameron, Ralph Knowles, Richard Leaman, Bruno Leon, T. C. Howard, John Caldwell, Frosty Coile, Paul Shimamato, Fred Taylor, Sherman Pardue, Jr. Fuller marshaled “all [NCSU’s] architectural students, within the N.C. State Engineering, Textile, and Business Administration Schools and expert consultation” to his project. Fuller’s students toured regional cotton mills and built the model to Fuller’s specifications. It was later described as a ‘fountain factory,’ as raw materials were imported at the base and finished products were exported from the summit. The model is no longer extant but a number of detailed photographs are preserved by North Carolina State University.

The 90% Automatic Cotton Mill was a successful model that remains unrealized, in part and in whole. Although there are thousands of tensegrity sculptures, tensegrity has yet to be used in architecture. Multi-story geodesic hemispheres have been built but none that are suspended from a central mast. The octet truss has been used in roofing (notably the Ford Rotunda dome), as scaffolding that can support suspended weight and in the temporary structures of A. G. Bell such as his triangle tower and Cygnet flyer. But the octet truss has never been used as long-term load-bearing floors. The most realized component of the 90% Automatic Cotton Mill is factory automation.

Factory automation has deep roots in the textile industry. Automated looms of the 1700s were controlled by punch cards. Punch cards were the data storage media for the 1890 US Census, which was carried out by Tabulating Machine Company, which later became IBM. Philip K. Dick wrote of an automated factory in his 1955 short story “Autofac.” General Motors experimented with a ‘lights out’ factory (requiring no humans, no lights are needed) in the 1980s, and the Japanese robotics firm FANUC has owned a robot factory that produces robots since 2001.

Where there is factory automation, there are displaced workers. A 90% automatic cotton mill means 90% automatic unemployment for former cotton mill workers. Fuller anticipated complete unemployment to be both inevitable and desirable.

[Entire automation of work industry] was always inherent in the intellectual pacing of industry. Its complete attainment is suddenly imminent. Marx’s workers, the automaton, the muscles and reflex machine, is replaced by automation. Man, losing all significance as physical producer, becomes utterly essential to the industrial equation only as the regenerative consumer. The industrial wealth potential of automated production capability may only be realized by an anticipatory designed, systematically established and credit-accounting matching consumer capacity. – Ideas and Integrities

It is easy to demonstrate to those who will take the time and the trouble to unbias their thoughts that automation swiftly can multiply the physical energy of wealth much more rapidly and profusely than can man’s muscle and brain-reflexed, manually-controlled production. On the other hand humans alone can foresee, integrate, and anticipate the new tasks to be done by progressively automated wealth-producing machinery. To take advantage of the fabulous magnitudes of real wealth waiting to be employed intelligently by humans and unblock automation’s postponement by organized labor we must give each human who is or becomes unemployed a life fellowship in research and development or in just simple thinking. – Operating Manual for Spaceship Earth

It was not difficult for the intellectual Fuller to work in a cotton mill. He could not imagine it would be difficult in turn for the average cotton mill worker to become an intellectual. Fuller wrote as workers are displaced by automation they should be given a credit, a fellowship, so that they can consume the wealth now generated by machines. Fuller got his money for college from his family, he got paid by a college to lecture and he got his cotton mill model as free student labor. Perhaps in the same way Fuller projected his own body on buildings, his own experiences on society, his own preferences on the universe, he projected that all those who did not work could get their support from… somewhere. “I see the hydrogen atom doesn’t have to earn a living before behaving like a hydrogen atom. In fact, as best I can see, only human beings operate on the basis of ‘having to earn a living.’ The concept is one introduced into social conventions only by the temporal power structure’s dictums of the ages. If I am doing what God’s evolutionary strategy needs to have accomplished, I need spend no further time worrying about such matters.”

Fuller, R. Buckminster: Nine Chains to the Moon. Garden City: Doubleday & Company Inc. 1938.
Architectural Forum Volume 96 Number 5. May 1952. “Factory of the Future.”
Fuller, R. Buckminster: American Fabrics. New York: Reporter Publications Inc., Spring 1953.
Fuller, R. Buckminster: Ideas and Integrities. Englewood Cliffs: Prentice Hall 1963.
Fuller, R. Buckminster: Operating Manual for Spaceship Earth. New York: Pocket Books 1969.
Fuller, R. Buckminster and Robert Marks: The Dymaxion World of Buckminster Fuller. Garden City: Anchor Books 1973.
Kenner, Hugh: Bucky: A Guided Tour of Buckminster Fuller. New York: William Morrow & Company Inc. 1973.
Lord, Athena V.: Pilot for Spaceship Earth. New York: Macmillan Publishing Co. Inc. 1978.
Potter, Robert R.: Buckminster Fuller. Englewood Cliffs: Silver Burdett Press 1999.
Sieden, Lloyd S.: Buckminster Fuller’s Universe. Cambridge: Perseus Publishing 2000.
Krausse, Joachim and Claude Lichtenstein (ed): Your Private Sky: Discourse. Baden: Lars Muller Publisher 2001.
Lichtenstein, Claude (ed): Your Private Sky: The Art of Design Science. Baden: Lars Muller Publisher 2001.
Zung, Thomas T. K. ed.: Buckminster Fuller: Anthology for the New Millennium. New York: St. Martin’s Press 2001.
Lorance, Loretta: Becoming Bucky Fuller. Cambridge: MIT Press 2009.
Chu, Hsiao-Yun and Roberto G. Trujille: New Views on R. Buckminster Fuller. Stanford: Stanford University Press 2009.

North Carolina State University: Geodesic Textile Mill. [1] [2] [3] [4] [5]

Wikipedia: History of Numerical Control.

Wikipedia: Lights Out Manufacturing.

Wikipedia: Punched Card.

The Lost Inventions of Buckminster Fuller – Kindle Edition

Addendum 2016: The complete contents of “The Lost Inventions of Buckminster Fuller” have now been published for free at synchronofile.com.

See BOOKS for more information on Buckminster Fuller Bibliography and other books.

The Nestable Structural Joggled Diamond Shingles Geodesic

“The Nestable Structural Joggled Diamond Shingles Geodesic.  Please start patent drawings and application.  See T.C. drawings and models in your files.  [signature of R. Buckminster Fuller] 10/22/61.”  Drawing, 8.11 x 11 inches.  Previously unpublished.  From the synchronofile, one of the largest private collections of works by and about Fuller today.  Part of Fuller’s filing for patent 3,197,927 “Geodesic Structures” (also known as the fly’s eye dome).

Buckminster Fuller Bibliography – Kindle Edition

Addendum 2016: See BOOKS for more information on Buckminster Fuller Bibliography and other books.

Fuller in Fashion

Fashion is design you wear, mobile and kinetic, including both tension and compression components.  Fashion is the valve between the environment (everything except you) and the universe (everything including you).  R. Buckminster Fuller’s influence on fashion is an undocumented parallel to his investigation into design.

☂ Fuller was attentive to his appearance. In Your Private Sky (Baden: Lars Muller Publishers 1999), Fuller is quoted as saying:

I decided to make a complete experiment of peeling off from society in general, and started wearing T-shirts which nobody was doing then, went about without a hat and in sneakers – absolutely comfortable clothes. Then when people started getting interested in my Dymaxion House, very nice people with influence, and they’d say, “l’d like to give a dinner party for you” and so forth, I would show up in khaki pants and they’d be very shocked. And when Mrs. John Alden Carpenter, head of the Arts Council in Chicago, gave a beautiful dinner party, I showed up and rudely announced, “I don’t eat that kind of food,” and was in every way obnoxious. l was putting self and comfort ahead of my Dymaxion House, and I said, “You’re not allowed to do that. You must get over that. You must stop that looking eccentric, with everybody pointing at this guy.” So I decided the way to do that was to become the invisible man, and that means a bank clerk – so I put on a black suit, bank clerk’s clothing; then they would focus on what I was saying instead of my eccentricities. I said, “I must get rid of continually making too much of myself.”

Fuller also knew of the attraction of the nude. When he exhibited the Dymaxion House in the 1920s, he placed a nude doll in its bedroom.

Continuum Fashion is the source for this graphic showing one of a pair of irregular geodesic hemispheres…

The graphic is a glimpse into the mathematics of the N12, a bikini designed with a 3-D scanner and printed with a 3-D printer. Continuum writes:

The N12 bikini is the world’s first ready-to-wear, completely 3D-printed article of clothing. All of the pieces, closures included, are made directly by 3D printing and snap together without any sewing. N12 represents the beginning of what is possible for the near future. N12 is named for the material it’s made out of: Nylon 12. This solid nylon is created by the SLS 3D printing process. Shapeways calls this material “white, strong, and flexible”, because its strength allows it to bend without breaking when printed very thin. With a minimum wall thickness of .7 mm, it is possible to make working springs and almost thread-like connections. For a bikini, the nylon is beautifully functional because it is waterproof and remarkably comfortable when wet.

☂ “When I am working on a problem, I never think about beauty but when I have finished, if the solution is not beautiful, I know it is wrong.” This quote is attributed to R. Buckminster Fuller but I cannot find the source. More significantly, the greatest online biographer of Fuller – Joe S. Moore at his incredible buckminster.info – also cannot place this quote. Can you?

☂ Photographer Moria Simmons and a friend went as “Buckminster Fuller and the Geodesic Dame” on Halloween 2008.  See Moria’s photograph here, and more of her photography (including a sneaky shot of the Dymaxion Car and the Fuller postage stamp) here. Could this be the same Moria who knitted a geodesic hat?

Laura Dawson is a fashion designer. She used a geodesic dome to exhibit her Fall 2009 collection. (Thanks to grunch.net).

☂ The Buckminster Fuller Institute sells handbags and if memory serves they have sold pins and t-shirts in the past.

☂ Colleen Coghlan designed an inflatable type-two two-frequency geodesic pillow dome garment. She writes: “The inflatable dress (or ‘Wearable Space’) is, as the name describes, a garment that inflates into a personal space to sleep, rest or play within.”

Read more about the Wearable Space at The Cool Hunter.

☂ Connie Chang Chinchio sells a pattern for a geodesic cardigan.

Life Magazine could have published a photograph of anyone assembling a Dymaxion Map in March 1943. They chose a contortionist in her circus uniform.

Fuller Houses by Federico Neder (Baden: Lars Muller Publishers 2008) includes several items of Fuller fashion. The color plates section in the rear of the book shows a lapel pin of the Dymaxion House, presumably sold in the Henry Ford Museum where the Dymaxion House is on display. Fuller Houses also includes a sketch of a Dymaxion Hat designed by Irene Sharaff.

☂ The umbrella is a favored icon at synchronofile because it is a portable relatively inexpensive dome shelter produced on the industrial level. There are endless variations to the umbrella, from a banker’s basic black to the LED umbrellas of the film Blade RunnerThe Bucky Bar was raised in February 2010.  It was a geodesic dome made up of umbrellas designed by DUS Architects as a spontaneous (and unauthorized) dance bar in Rotterdam.

☂ Hair stylists Andreas and Markus contributed a two-frequency type two geodesic sphere hair weave to a fashion shoot by Purebred Productions.

☂ Florida-based Emilie produces beaded jewelry informed by energetic-synergetic mathematics.

☂ My first tattoo, which I gave myself around 1989, is a geometric shape referencing the work of Buckminster Fuller. No photographs of my tattoos have ever been published.

☂This essay first published on the twelfth of July 2011, a day of great significance to Buckminster Fuller.

– Trevor Blake

Trevor Blake is the author of the Buckminster Fuller Bibliography, available at synchronofile.com

Synergetics Stew June 2011

The Buckminster Fuller Institute published the book Synergetic Stew: Explorations in Dymaxion Dining in 1982. Under this name, synchronofile.com publishes an irregular collection of brief notes relating to Buckminster Fuller.

You are Listening to Deep Thoughts is a simple mix of a gentle background image, a quiet ambient music track and a recording of a thoughtful public speaker. More often than not, the thoughtful public speaker is R. Buckminster Fuller.

☂ “Network Awesome is a platform for entertaining and interesting TV. We spotlight the best from the past to create something new for the future. In a sense it’s TV about TV but our wider intent is to show something about culture as a whole. This can manifest itself in a kids cartoon from 1973, an interview from 1948 or a movie from 1993 – We’re pretty open minded about what Network Awesome is and what it can be. It’s our commitment to provide you what we think is interesting and clever TV – hopefully you agree.” Video of R. Buckminster Fuller regularly appears on Network Awesome.

A Picture History of Shelter Systems is just what it says on the box. Founder Bob Gillis owns several key patents for modern camping tents that meet Fuller’s criterion of portability, tension rather than compression, curves and triangles rather than straight lines and 90-degree angles, industrial production and low cost. While there are many sculptures and models that use Kenneth Snelson’s tensegrity method, Gillis may be the only man to have created a tensegrity structure for habitation as Fuller advocated.

☂ On 3 July 1980 Fuller spoke as Visiting Consultant for Windstar in Snowmass Colorado USA. Co-founder of Windstar John Denver wrote a song for Fuller that year titled What One Man Can Do. A popular photograph from Fuller’s visit to Windstar shows him with the Dymaxion car and a Fly’s Eye dome. The Dymaxion Car was restored last year, and now the Fly’s Eye dome has also been restored. The dome will be on exhibit at Art Basel, Design Miami and Dacra, all located in Miami Beach Florida USA.

☂ As previously announced, D. W. Jacob’s play R. BUCKMINSTER FULLER: THE HISTORY (and mystery) OF THE UNIVERSE was performed 28 May – 4 July 2010 at the Arena Stage Crystal City in Washington, DC USA. Perhaps for the first time, scenes from the play are now online. See also this trailer from the Portland performance in 2008, and Jacob and Allegra Fuller-Snyder talking about the 2011 run here. I’m glad to have seen the play several times over, but I do hope it is filmed in full some day.

– Trevor Blake

Trevor Blake is the author of the Buckminster Fuller Bibliography, available at synchronofile.com

R. Buckminster Fuller’s Influence on Science Fiction Films and Television

R. Buckminster Fuller’s influence on science fiction films and television during his lifetime (12 July 1895 – 1 July 1983).

First Spaceship on Venus
[Wikipedia] [IMDB] [youtube]
1960. Film. Directed by Kurt Maetzig. Based on the novel The Astronauts by Stanisław Lem. An international rocket crew finds geodesic domes on the planet Venus.

Earth II
1971. Television. Directed by Tom Gries.  A space station makes a claim for independence from the Earth it orbits.  R. Buckminster Fuller is credited as the “Technical Advisor for Earth” in Earth II. Fuller’s Dymaxion Map is used to track orbiting satellites in an Earth-bound control room.

Slaughterhouse 5
[Wikipedia] [IMDB] [youtube]
1972. Film. Directed by George Roy Hill. Based on the novel Slaughterhouse Five by Kurt Vonnegut Jr. Billy Pilgrim is kept in a geodesic dome in a zoo on the planet Tralfamadore.

Silent Running
[Wikipedia] [IMDB] [youtube]
1972. Film. Directed by Douglas Trumbull.  The spaceship Valley Forge includes several geodesic domes.

The Starlost
[Wikipedia] [IMDB] [youtube] [The Starlost: The Word]
22 September 1973 – 5 January 1974. Television. Directed by Leo Orenstein. Created by Harlan Ellison. Executive Producer was Douglas Trumbull of Silent Running.  A geodesic dome from the spaceship Valley Forge from Silent Running is re-used on the spaceship The Ark.

Battlestar Galactica
[Wikipedia] [IMDB] [Battlestar Wiki: Agro Ship]
September 17, 1978 – April 29, 1979. Television. Created by Glen A. Larson.
The geodesic dome from the spaceship Valley Forge from Silent Running which had been re-used on the spaceship The Ark in The Starlost is re-used once more on an Argo Ship. This dome is on exhibit at the EMP Science Fiction Museum between 23 October 2010 – 4 March 2012.

See also LOST Domes.

– Trevor Blake

Trevor Blake is the author of the Buckminster Fuller Bibliography, available at synchronofile.com

Geodesic Domes and Earthquakes

Trevor Blake has not been compensated by any manufacturer found in this article. Always consult with a professional before the construction or purchase of any building.

U.S. Air Force C-17 Globemaster III airdrops humanitarian aid into the outskirts of Port-au-Prince, Haiti, 18 January 2010. Photograph by U.S. Air Force photo/Tech. Sgt. James L. Harper Jr. Source: wikipedia.

R. Buckminster Fuller made claims about how geodesic domes would weather an earthquake. In Perspecta Vol. 1 (Yale School of Architecture, Summer 1952) Fuller claims geodesic domes will arrive at “predictably stable conditions under extreme stress of earthquakes.” In Inventions (St. Martin’s Press, 1983) Fuller wrote:

When I invented and developed my first clear-span, all-weather geodesic dome, the two largest domes in the world were both in Rome and were each 150 feet in diameter. They are St. Peter’s, built around A.D. 1500, and the Pantheon built around A.D. 1. Each weighs approximately thirty thousand tons. In contrast, my first 150-foot-diameter geodesic all-weather dome installed in Hawaii weighs only thirty tons – one-thousandth the weight of its masonry counterpart. An earthquake will tumble both the Roman 150-footers, but would leave the geodesic unharmed.

On 12 January 2010 the island nation of Haiti experienced a 7.0 M earthquake. Thousands were killed, thousands more are now without shelter. If Haiti had more geodesic domes, would fewer have died and would fewer now be without shelter? Some testing of domes and their integrity during earthquakes has occurred since Fuller’s time.

Both professional and amateur dome builders have made claims about how geodesic domes can weather an earthquake. Timberline Domes writes: “Geodesic structures have shown themselves to endure through severe storms and earthquakes, due to the strength of their design.” Michael W. Johnson was introduced to the geodesic dome at the Design School at North Carolina State University. Fuller and some NCSU students had built domes as early as 1949. Mr. Johnson moved to El Salvadore in the 1970s, where in 1977 he experienced an earthquake. Since that time Mr. Johnson has penned an essay titled Geo Dome Homes for the Third World on building geodesic domes using local materials as a means of weathering earthquakes. These domes were scheduled to be built after July 2008. The Loma Prieta earthquake of 17 October 1989 was measured at a magnitude of 6.9. According to Oregon Dome Information Series #11, Disaster Fitness, this earthquake left the family of Joan Fevaros homeless. A few doors from the remains of their home was a still-standing geodesic dome home that offered them temporary shelter. “When [the Favaros family] went to the county building department to get a permit to demolish their old home to make way for a new one, they were told that the county would not allow any two-story homes to be built. Joan told them that they wanted to build a new two-story dome home on the site of their old home. The county official replied, ‘Oh, if it’s a dome home, then that will be OK.'” Disaster Fitness makes similar claims for a 6.2 M earthquake on 28 June 1992 near Yucca Valley, California.

Some professional dome manufacturers are willing to put their claims to the test, including direct aid to Haiti. American Ingenuity warranties their domes against structural damage due to hurricanes, earthquakes and tornadoes. From the A.I. Warranty:

Your dome home is designed to withstand the powerful forces of nature. American Ingenuity’s warranty or guarantee assures against any structural storm damage as a result of the ravages of tornadoes, earthquakes, hurricanes regardless of the force. Such a warranty has been unheard of in the construction industry until now. […] The founder of American Ingenuity, Michael Busick, manufactured and built his first concrete dome in 1976. Since then no American Ingenuity Dome has suffered any structural damage due to hurricanes, tornadoes or earthquakes.

Pacific Domes has made a one-time offer of up to 50% off list prices to send shelters to Haiti and will match donations made to World Shelters, World Shelters has its own international earthquake disaster relief effort involving geodesic structures and is supported by Humbolt State University class Engineering 305 Appropriate Technology. Monolithic Domes does not manufacture geodesic domes. Monolithic domes are manufactured by inflating a hemispherical shape then covering that shape with steel-reinforced concrete and insulation. What a Monolithic dome might lack in being mobile, it compensates for in being durable. Monolithic Domes were inspired by a 1950s lecture by Fuller. Monolithic Domes and musician Won-G had planned to build Monolithic domes in Haiti several weeks before the earthquake. This dome will house five hundred and is part of the One Dome at a Time project.

While before-the-fact claims about geodesic domes and earthquakes are easy to find, after-the-fact accounts of geodesic domes and earthquakes are difficult to find. The Materials Park Building of ASM International is housed under a geodesic dome raised in 1959. This dome was designed by William Hunt Eisenman, John Terence Kelly, and Fuller. It was manufactured by the North American Aviation Company. The ASM dome weathered a 5.0 M earthquake on 31 January 1986. The extent of the damage was the sheering of a few bolts. In this case, it appears Fuller’s claims about geodesic domes and earthquakes are accurate.

Geodesic domes may or may not have more integrity in an earthquake than other structures. They have not been tested enough to make further claims. But geodesic domes as emergency shelters are well tested and could be part of relief efforts in Haiti and elsewhere.

– Trevor Blake

Trevor Blake is the author of the Buckminster Fuller Bibliography, available at synchronofile.com.

Who Am I?

He was born in the 1800s.  He conducted an extensive survey of world resources although he was not formally trained to conduct such a task.  This survey of world resources demonstrated to him that the profit motive was getting in the way of the efficient and humanitarian distribution of goods and services.  He advocated fully-automated factories, and wrote about energy consumption as the most accurate measure economic value.  He was Howard Scott.

He was born in the 1800s. He crossed paths with Technocracy Inc. He wrote about the closest packing of circles.  His mathematical work was not in essay form but in poetry. His work was ignored while alive but has influenced many (with and without credit) since his death. He was Frederick Soddy.

He was born in the 1800s.  He was an inventor not only of a particular artifact for which he is well known for one, but more importantly of a new method of manufacturing and distribution.  He wrote books on creating buildings so large entire cities could be housed inside, and the use of round houses laid out on hex-grid streets.  He supported global economic reform based on technological competence rather than profit so that all human needs could be met at no cost to the recipient.  He was King Gillette.

He was born in the 1800s.  He invented a map of the world that received a United States patent.  This map displays all continents in an uninterrupted way.  The map can be folded into a globe.  He designed a domed building.  He was Bernard Cahill.

He was born in the 1800s. He became an inventor from an early age, a practice that never left him. An early death in his family also never left him. He investigated alternative fuel sources, innovative new toilets and octahedron-tetrahedron truss structures as an architectural form.  Scientific discoveries have been named after him long after his death.  He was Alexander Graham Bell.

– Trevor Blake

Trevor Blake is the author of the Buckminster Fuller Bibliography, available at synchronofile.com